• Humanity as an Utopian Polyphony
  • Umanità come utopia a più voci
  • Boella, Laura

Description

  • In the complexe and multifaceted Heller’s works, the voice of the ideal and of the absolute constantly resonates. In the fifth chapter of Philosophy of History in Fragments (1993), we find an elaboration of the Enlightment’s ideal of Humanität as Kultur or civilisation. Such utopistic or “contrafactual” (Kant) ideal must not be realized, yet it is rescued through a polyphony, a “mosaic of differences”, whose model is the conversation among  equals, a sort of speech-act, a drama that creates niches of freedom and happyness in the world of “unsocial sociability”.
  • In the complexe and multifaceted Heller’s works, the voice of the ideal and of the absolute constantly resonates. In the fifth chapter of Philosophy of History in Fragments (1993), we find an elaboration of the Enlightment’s ideal of Humanität as Kultur or civilisation. Such utopistic or “contrafactual” (Kant) ideal must not be realized, yet it is rescued through a polyphony, a “mosaic of differences”, whose model is the conversation among  equals, a sort of speech-act, a drama that creates niches of freedom and happyness in the world of “unsocial sociability”.

Date

  • 2020-08-04

Type

  • info:eu-repo/semantics/article
  • info:eu-repo/semantics/publishedVersion

Format

  • application/pdf

Identifier

10.13125/CH/4251

urn:nbn:it:unica-26138

Relations